![]() ![]() Any note of a Diminished chord can be the 3rd or 7th of a dominant chord. If you think about it, you could be hanging out in the key of C, play a Bdim7 chord, and then after lowering one of the chord members, slip into the key of Eb (from Bb7), Gb (from Db7), A from E7, or just stay in C (from G7).Īctually you can make it even easier. Kinda slick, eh? Richard Wagner loved using this trick to sneak into different keys. Lower the F to Fb (respelled to "E") and you getī D E Ab (better respelled as E G# B D, which is E7) Thanks for that.ī Db F Ab (which can be respelled as Db F Ab Cb, which is Db7) If you take a diminished 7th chord (that is to say, a series of 4 stacked-up minor thirds, e.g, B-D-F-Ab), by lowering any one chord member by a 1/2 step, you create various dominant 7th chords that allow you to slip into different keys.
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